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  • AC15
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Mary Vision embark on a psychedelic pilgrimage of sound on the widescreen “Jerusalem”

Clayton Pacelli August 17, 2021

Photo by Julie Hill After over a year of reclusive hibernation, psychonauts Mary Vision emerge from their slumber with another heady dose of desert blues

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Premiere: BRNDA serve up a slice-of-life on the suburban “Aunt Linda, c. 1989”

Clayton Pacelli August 11, 2021

Indie rock is an amorphous concept, a descriptive label that casts a wide net over a vast expanse of sounds in an attempt to categorize

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Death Valley Girls defy preconceptions of traditional gender norms on multifaceted new video for “I’m A Man Too”

Clayton Pacelli July 21, 2021

Photo by Ammo Bankoff Positioned smack in the middle of Death Valley Girls’ luminous 2016 sophomore LP, Glow In The Dark, “I’m A Man Too”

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The Lazy Eyes ‘EP2’ is a psychedelic invitation to a sunny and shadowy tropical island headtrip retreat

Clayton Pacelli July 16, 2021

It’s remarkable how quickly The Lazy Eyes have accumulated acclaim since releasing their first EP in mid-2020, like a tiny snowball steadily picking up speed

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King Woman is consumed by darkness in a blood orgy of erotic obsession on “Psychic Wound”

Clayton Pacelli July 6, 2021

Early in his career, writer-philosopher Aldous Huxley wrote, “Perhaps it’s good for one to suffer. Can an artist do anything if he’s happy? Would he

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Heaven’s just a gig away: Caroline Kingsbury’s confident new album and triumphant return to the stage

Clayton Pacelli June 28, 2021

live photos by Steph Port “Look to your left, look to your right. We’re all friends.” As the sun set the stage at Spoke Bicycle

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G.M.G. mix up a love potion on the chemically charged “Death To Jealousy”

Clayton Pacelli June 1, 2021

Chemistry is the process of achieving a desired result through measured combining of unique elements and rigorous testing. The right combination can result in a

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Sarah Greenwell’s latest as Greeensleeves is a heartbreakingly earnest ode to love and loss

Clayton Pacelli April 30, 2021

Photo by Devon Bristol Shaw Sarah Greenwell’s solo project, Greeensleeves, charts a different course from her rambunctious output in Gymshorts but retains the same skillful

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Wolf Alice delivers a stadium-sized britpop empowerment anthem on the kaleidoscopic “Smile”

Clayton Pacelli April 21, 2021

Wolf Alice’s steady development from folk leaning acoustic project to full blown indie rock powerhouse has reached critical mass with the release of the muscular

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A question of faith: Native Sun seek salvation at the end of a fishhook on the biblical “Jesus”

Clayton Pacelli April 15, 2021

Ancient Christians used the symbol of Ichthys, a fish-like shape comprised of a pair of inverted arches commonly found adorning the trunklids and liftgates of

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Been Stellar break free from media mind control on the rebellious “Louis XIV”

Clayton Pacelli April 1, 2021

Photo by Drake Li Tackling heady topics in musical four-minute treatises is a hallmark of a certain school of independent music, and few bands can

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Spirit Award earns their gold star on crunchy and fuzzed out Lunatic House

Clayton Pacelli March 8, 2021

Lunatic House, the third album from Seattle’s Spirit Award forms the culmination of a trilogy of crunchy and fuzzed out albums that subverts genre conventions

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Alan Vega possesses King Woman’s Kris Esfandiari in industrial cyberpunk nightmare “Nike Soldier”

Clayton Pacelli February 25, 2021

Alan Vega built a career on the fringes, a cultural blade runner perpetually on the bleeding edge of conceptual art who kicked down barriers of

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NRCSSST throw a public access party for the modern era on muscular “Don’t Know Me”

Clayton Pacelli February 12, 2021

Before YouTube, before Twitch streams and Facebook live, bands would take their shows to the visual airwaves on public access television. These late-night, left-of-the-dial programs

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Aussie psych-onauts The Lazy Eyes take a fantastic voyage to inner space on cerebral “Where’s My Brain???”

Clayton Pacelli February 4, 2021

“Where’s My Brain???” is 6-and-a-half minutes of largely instrumental motorik-powered psych that ebbs and flows with an organic pulse punctuated with chiming guitar notes and

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L.A. Witch’s “Motorcycle Boy” pulls a cinematic u-turn on the traditional biker narrative

Clayton Pacelli January 25, 2021

Photos by Kelsey Hart The siren song of the open road has long beckoned generations of wild spirits to tear across the vast expanses of

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Rodes Rollins and HNRY FLWR duet in breathtaking new video, “Isolation”

Clayton Pacelli December 7, 2020

Photos by Elliot Travis Originally released earlier this year as an exceptionally polished demo, Rodes Rollin’s “Isolation” was a gentle and poetic expression of longing,

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The Paranoyds skewer manufactured beauty standards on surreal new single “Hotel Celebrity”

Clayton Pacelli November 27, 2020

Photo by Little Ghost The cult of celebrity never seems to lack in willing initiates, forking over sizeable portions of their cash and their souls

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Wasuremono’s “Big Big Smiles” is an exercise in weaponized Dadaist philosophy

Clayton Pacelli November 12, 2020

Photo by William Southward The artistic movement known as Dadaism emerged in the early years of the 20th Century as a reaction to growing international

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Premiere: Cindy Cane is the one that haunts your dreams on menacing single “The Darkness”

Clayton Pacelli October 30, 2020

Single Art by Tom Lescovich There is a chill in the air, the kind that bites through wool and leather and forces you to pull

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Shadow Show question reality on psychedelic 7-inch ‘What Again Is Real’

Clayton Pacelli October 28, 2020

Photos by Julia Khoroshilov. Find more of her work here. As the end of 2020 rapidly approaches it’s easy to reflect on this atypical year with a

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10 spooky soundtracks for getting in the macabre mood

Clayton Pacelli October 13, 2020

Nothing says spooky season like crisp fall air, pumpkin spice everything, and snuggling up under a blanket with a good horror movie on the TV.

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Frankie And The Witch Fingers’ outrun Lovecraftian terror on apocalyptic “Monsters Eating People Eating Monsters…”

Clayton Pacelli October 2, 2020

Somewhere outside Los Angeles, where empty highways stretch sun baked and cracking into the distance uninterrupted by the seething mass of humanity huddled on the

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Death Valley Girls cult of positivity is irresistible on ‘Under The Spell Of Joy’

Clayton Pacelli October 2, 2020

Simmering beneath the hardened exterior of Death Valley Girls’ girl gang posturing and edge-of-civilization paranoia is a radiant undercurrent of defiant self-confidence coupled with an

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Premiere: Been Stellar rage against the routine on disciplined new track “The Poets”

Clayton Pacelli September 25, 2020

Photo by Drake Li Faced with a excess of spare time and forcibly separated from creative co-conspirators by vast geographical distance as a result of the

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Nyssa is born to be blue and wild on ‘Girls Like Me’

Clayton Pacelli August 24, 2020

Time moves slowly in a small town, so slowly that sometimes its passage is marked only by the changes in season and the rotation of

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L.A. Witch expand their sound with clear-eyed confidence on ‘Play With Fire’

Clayton Pacelli August 21, 2020

L.A. Witch is a cool band. Having established themselves as purveyors of rhythmic, reverb heavy rock n roll steeped in heady noir, the Los Angeles

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Cold Beaches’ ‘Drifter’ is a personal portrait of the artistic experience

Clayton Pacelli August 3, 2020

Some of Chicago’s most famous features are the city’s stunning array of engineered beaches that stretch along 28 miles of pristine parkland on the shores

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A day at the beach with Aussie psych rockers Ocean Alley

Clayton Pacelli July 14, 2020

Photo by The Sauce The sun is setting behind rolling sand dunes crested with tufts of spiky beachgrass swaying gently in the salty breeze coming

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Premiere: Gawn’s lo-fi “No Light” is the sound of summertime nostalgia

Clayton Pacelli July 1, 2020

I grew up in a rural town in western New York. The closest city had maybe 3 music venues booked almost exclusively with generic post

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The Freewheelin’ Adam Amram delivers a folksy ode to isolation on “Overtime”

Clayton Pacelli May 25, 2020

A Brooklyn staple, Adam Amram lends his musical talents to numerous bands including Tall Juan, Psychic Ills, and Champagne Superchillin’. In preparation for his first

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Miho Hatori and Good Fuck interpret Collapsing Scenery’s “I Never Knew” on a pair of inspired remixes

Clayton Pacelli May 21, 2020

Photo by Nedda Afsari The interpretive nature of a remix is like attempting to decipher weathered hieroglyphics without the aid of a Rosetta Stone. Sounds and

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