Premiere: Hit “Vanderbilt”
Lauren Khalfayan
November 14, 2022
Photo by Kenny Ramos With the video for their latest release “Vanderbilt”, Hit makes it no secret how they feel about the rapidly accelerating building of
Photo by Kenny Ramos With the video for their latest release “Vanderbilt”, Hit makes it no secret how they feel about the rapidly accelerating building of
I first saw HighSchool in a very small room up a winding flight of stairs in a pub in Brighton. It was this past May
Photo by Kevin Condon Big Bliss return with the first single since the release of their lauded 2018 album, At Middle Distance, at a time
Words by Brett Wachtel It’s the final moments of the last act of your favorite tv show, you’re the main character. You’re feeling like you’re
Photo by Jaycee Rockhold Some of my favorite music has a disconnect between how the music sounds and what the lyrics are communicating. On the surface,
Photo by Astrid Terrazas Barging in with a dark and winding synth line, Cutouts latest single “Narc” is hypnotic and instantly captivating. Atmospherically, it begs
Photo by Iris Luz In stark contrast to the euphoria of “Let The Lights On”, Sorry’s latest single “Key To The City” looks at the bitter
Photo by Alice Baxley FIDLAR are back, and it’s grimy as ever. “FSU” – for Fuck Shit Up – is so extremely FIDLAR. Produced by
Shoegaze is most effective when adhering closely to the tenets of punk’s influence on the style, enveloping short compositions in enough static and haze and
Photo by Naz Kawakami In preparation for a UK tour with The Goa Express, New York’s Been Stellar have just released their new single, “Kids
Desire, the synth-pop project from Megan Louise and Johnny Jewel, have released their latest video/single for the sultry dance track “Telling Me Lies”. Creating a
Photo by Erik Lee Synder Club Intl — the collaboration of John Eatherly (Be Your Own Pet, Public Access TV) and producer Johnny Jewel (Chromatics, Glass
Momma’s latest track “Rockstar” envelopes listeners in 90s bliss with supple vocals and heavy guitars. The track resembles artists like Juliana Hatfield, showing off heady,
Listening to Dehd’s latest single “Bad Love” would not instantly bring to mind visions of a leather-clad strip club (a scene where “Pour Some Sugar
Photo by Bella Rose Porter Recent Partisan signee NoSo has released their latest single and accompanying lyric video, “Honey Understand”. Indulging in cinematic melodrama and
Photo by Filmawi Fontaines D.C. have been a band that has always felt very authentic and in touch with their roots and where they came. They
Turnstile’s having their deserved, long-time-coming moment with GLOW ON, making an NPR Tiny Desk (at home) pretty much inevitable. They set up in front of an
Operating from a different angle than the shadowy psych-doom project Stonefield where she holds down the low-end, Holly Findlay used her time in COVID lockdown
LANNDS craft an entire auditory landscape with their latest release “HITEM”. The track is trippy and varied — attention brought to each slight adjustment and
Photo by Sara Collins Wombo’s latest release “One of These” is at once ethereal and grunge-y, haunting and strangely hopeful. The track is their first
After releasing two immediately catchy and instantly unforgettable tracks this summer, Wet Leg have finally announced their debut self-titled record out April 22, 2022. Accompanying
Yard Act’s latest offering “Payday” is the dance track for society’s collective downward spiral. A commentary on capitalism and classism, the band showcases the track
The way Jeff Goldblum has unintentionally cemented himself in multiple pieces of music is pretty impressive. His impact is clearly not to be underestimated. His
Photo by Julia Koza Having been already established as a scion of the underground with the blisteringly realized shoegaze of 2020’s lauded DOOMPOP, Zilched continues
Toronto’s Pleasure Craft have been steadily building momentum with a string of singles and EPs that highlight the skillful versatility of mastermind Sam Lewis to
There are very few things as immediately gratifying as the 3am New York Slice. Hot and greasy, served up on a semi-translucent paper plate and
Photo by Will Reid The visual representation of a musical release is often lacking at the most generous, and uninspired at the least. Legss have
*the following contains spoilers for Midnight Mass* What the fuck happens next? That question asked by Kate Seigel‘s character Erin Green in Midnight Mass as she lays dying
Photo by Sara Cath Sloppy Jane (aka Haley Dahl) is back with the haunting ballad “Jesus and Your Living Room Floor” off her forthcoming record Madison out
Kate Clover toes the line between fiction and reality with her latest music video “Crimewave”, directed by Ambar Navarro. Shot on 16mm, the video is
Photo by Rebekah Campbell From the first time seeing them live, cumgirl8 has always felt part-punk rock, part-performance art. Delving into fashion pursuits featured in Vogue
Art by Hester Chambers After coming out of the gate with a certified HIT like “Chaise Longue” there were high expectations for Wet Leg to live